Audiogrammes

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Je t'taime, je t'aime

Aujourd’hui j’ai finalement découvert Arne Vinzon. Ça faisait un mois qu’on m’en avait parlé mais je ne retrouvais pas le nom.

Les otaries lisent dans le texte les philosophes allemands

C’est leur morceau-phare mais y’en a pleins d’autres et même un nouvel album.
Son Eighties, ça m’a fait penser à Lescop que j’avais découvert y’a un an ou deux

http://youtu.be/Dncv67AdhtM

Dans la forêt je te retrouve à l’heure opportune
Un rendez-vous improvisé sous la lune
Sourires crispés, situation compliquée
Je sens ton souffle qui me frôle le cou
Un pistolet chargé me caresse la joue
Tu me dis “cette fois c’est moi qui joue”
Dans la forêt la première détonation raisonne
Un coup de feu puis deux, mon corps qui frissonne
Puis doucement s’écroule.

et surtout à Jacno

http://youtu.be/x7hbPFc313Y

Je regarde tes yeux, ça me fait pleurer
Ne fais pas cette tête, je ne veux pas te blesser
Je t’aime tant, je t’aime tant
Aujourd’hui je pars, je reviendrai demain
C’est pas toi et moi, toi et moi ça ne fait qu’un
Je t’aime tant, je t’aime tant

Dès que je ne suis plus là
Tu dis elle ne m’aime pas
Ouvre les yeux, regarde-moi
Ma vie serait vide sans toi

Nos erreurs appartiennent au passé
Elles sont rayées, annulées, oubliées
Je t’aime tant, je t’aime tant
Les choses trop belles doivent être préservées
Si c’est cassé, nous allons réparer
Je t’aime tant, je t’aime tant

Dès que je ne suis plus là
Tu dis elle ne m’aime pas
Ouvre les yeux regarde-moi
Ma vie serait vide sans toi

Et si un jour tu doutais de moi
J’ai un gage d’amour la preuve par trois
Je t’aime tant, je t’aime tant
Avec mon sang, j’ai marqué sur mon bras
À la vie à la mort, ça n’s’efface pas
Je t’aime tant, je t’aime tant

Dès que je ne suis plus là
Tu dis elle ne m’aime pas
Ouvre les yeux, regarde-moi
Ma vie serait vide sans toi.

Je pense qu’elle a été utilisée dans un film français récent. Et surtout Dominique A l’a reprise sur Jacno Future, un album-hommage à Jacno.

Et d’ailleurs, la boucle est bouclée sur le nouvel album d’Arne Vinzon, avec Je t’aime, je t’aime

qui me fait penser je ne sais pas pourquoi a ce morceau de Jeanne Balibar. Peut-être l’intro?

Ne change rien pour que tout soit différent

Written by audiogrammes

August 29, 2013 at 23:09

Die Nacht

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kjo_6625356025_Original_EPG-DB

“To Live by Night” von Etel Adnan
For a few years I’ve been thinking about night: Thinking? I’m not sure. It’s something else and much more. It’s an investment of my being into the presence of night, in its most physical sense, and into that strange concept that includes our everyday life since we’re born.

I am a night being. As far back as I can remember, I have been intrigued by the descent of the night on my days. Literally, a curtain descends at different hours, according to seasons, but it descends. What does it bring? It brings candles and lamps, for sure, dinners and then sleep. Sleep not as an absence of wakefulness but as the beginning of a different world. And I have always loved sleeping: its intimacy, its adventurousness. After all, night is the domain of dreams, and dreams are the greatest expansions of our minds.

Night is a velvety experience. Its darkness, even at its fullness, has its own light. A light some animals know more than we do. It’s even a world where vision, when it exists, is at its greatest. It’s the stuff of interstellar space. Closest to what the universe is about.

I often think of what the human race would have been if it had lived by night. If it had slept through the blinding light of our days. Maybe, we would have been more sensitive to love. Who knows? Maybe it would be the way of some future. Who knows?

I am inviting you not to sleep tonight. To go out. Not only tonight but many nights in a row. Drive only by night. Sit by a river, the Rhine, the Elbe, the Amazon, and listen to that river … To live by night is to live by ear, and the eye will follow, and will see even more. And the ears and the eyes of your soul will discover the friendliness of a world different from the one you know, and take you into journeys that the imagination hasn’t figured out yet.

tonight when I came home from work
there he unforeseen changed in the lazy chair
and said “what’s that sorrow you bear?”
and I could tell him, he understood

he gently took my arm
he listened to my tears till dawn

I dedicate this song to you
tonight we had change of the moon

Sibylle Baier appeared out of nowhere in 2006. She recorded this song and a number of others in the 70s. Release by her son. Re-discovering it in her homeland.

http://youtu.be/vCaX0TdZmG4‎

Weirdly enough I discovered Egyptian Lover during the Egyptian “revolution” a few years ago. Not from there though but great wandering music.

I Cry (Night After Night)

Night after night I cry
Night after night you’re never home
Night after night I get disappointed,
cause i’m sick and tired of being alone (alone)

Night after night I go for a walk
Looking at the stars in the sky
Night after night I look in the mirror
And wonder why a lover has to cry
(Ohh)

I cry in the night
Because girl your never ever with me
I know it makes no sense to cry
But this ain’t the way my life should be

In the mornings i go to the pond
All my friends see me walking down the street
And they all know that somethings bothering me
Because my smiles so weak
(Ohh)

Every night I chase you down
Night after night you disappear
It’s hard for me to comprehend
What exactly do you fear
I don’t wanna be alone
I don’t wanna be alone
But I have no choice if I want you
You have so many friends your always on the phone
You make my life so blue

Written by audiogrammes

August 28, 2013 at 21:23

Traüme

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feuchtgebiete_juri_873094

Not trauma, dreams.

https://youtu.be/3tk58mNstoY

Not salmon, beef

Not German, English.

https://youtu.be/AhlzJuhm2uQ

Timing reason, understanding
Like association whore

PS: the censored image above is taken from Feuchtgebiete (Wetlands), the movie adaptation of Charlotte Roche‘s debut novel.
Haven’t seen it yet. No subtitles… I might just grab a copy in English. But I love the fries…

Written by audiogrammes

August 27, 2013 at 12:19

Divine

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200px-divine_in_heaven_t-shirt

Sorry! That’s a classic Bait-and-switch. We’re not talking about Divine, John Waters, Pink Flamingos or dog poop.

Instead, I’m just going to post a few The Divine Comedy songs. It’s not Dante, it’s Neil Hannon.

I discovered him on Yann Tiersen‘s L’absente.
Just loved Les Jours Tristes

It’s hard, hard not to sit on your hands
And bury your head in the sand
Hard not to make other plans
and claim that you’ve done all you can all along
And life must go on

It’s hard, hard to stand up for what’s right
And bring home the bacon each night
Hard not to break down and cry
When every idea that you’ve tried has been wrong
But you must go on

It’s hard but you know it’s worth the fight
’cause you know you’ve got the truth on your side
When the accusations fly, hold tight
Don’t be afraid of what they’ll say
Who cares what cowards think, anyway
They will understand one day, one day

It’s hard, hard when you’re here all alone
And everyone else has gone home
Harder to know right from wrong
When all objectivity’s gone
And it’s gone
But you still carry on

’cause you, you are the only one left
And you’ve got to clean up this mess
You know you’ll end up like the rest
Bitter and twisted, unless
You stay strong and you carry on

It’s hard but you know it’s worth the fight
’cause you know you’ve got the truth on your side
When the accusations fly, hold tight
And don’t be afraid of what they’ll say
Who cares what cowards think, anyway
They will understand one day, one day.

I discovered Tiersen before he broke into mainstream with the the mostly instrumental soundtracks for Amélie Poulain and Good Bye Lenin!

I actually liked his songs like Monochrome with Dominique A on his earlier album Le Phare. Despite the accent, the lyrics were just what I needed at the time.

Anyway, I can try
Anything it’s the same circle
That leads to nowhere and I’m tired now.

Anyway, I’ve lost my face,
My dignity, my look,
Everything is gone
And I’m tired now.

But don’t be scared,
I found a good job and I go to work
Every day on my old bicycle you loved.

I am pilling up some unread books under my bed
And I really think I’ll never read again.

No concentration,
Just a white disorder
Everywhere around me,
You know I’m so tired now.

But don’t worry
I often go to dinners and parties
With some old friends who care for me,
Take me back home and stay.

Monochrome floors, monochrome walls,
Only absence near me,
Nothing but silence around me.
Monochrome flat, monochrome life,
Only absence near me,
Nothing but silence around me.

Sometimes I search an event
Or something to remind,
But I’ve really got nothing in mind.

Sometimes I open the windows
And listen people walking in the down streets.
There is a life out there.

But don’t be scared,
I found a good job and I go to work
Every day on my old bicycle you loved.

Anyway, I can try
Anything it’s the same circle
That leads to nowhere and I’m tired now.

Anyway, I’ve lost my face,
My dignity, my look,
Everything is gone
And I’m tired now.

But don’t worry
I often go to dinners and parties
With some old friends who care for me,
Take me back home and stay.

Monochrome floors, monochrome walls,
Only absence near me,
Nothing but silence around me.

Monochrome flat, monochrome life,
Only absence near me,
Nothing but silence around me

A bit like The Incompetents’ amazing lyrics associated to Serge’s french accent

Anyway, revenons à nos moutons…

Neil Hannon / Divine Comedy
Discovered him a bit better on a 2004 Black Session. You know, the radio and concerts organized by the French John Peel, Bernard Lenoir. Lebanon’s version would be the one and only Ziad Nawfal and his Ruptured Sessions.

So, in early 2004 I record this amazing live performance on a k7! Yes one of these.
I played it until it melted recently but I did manage to transfer it to crappy Mp3, alongside sessions for Interpol and Feist.

Neil Hannon covered Randy Newman’s Lonely At The Top, played a couple of quirky originals, like Happy Goth.
But most importantly he played a fantastic version of Our Mutual Friend

No matter how I try,
I just can’t get her out of my mind
And I when I sleep I visualize her.

I saw her in the pub,
I met her later at the nightclub.
A mutual friend introduced us
We talked about the noise
And how its hard to hear your own voice
Above the beat and the sub-bass.
We talked and talked for hours,
We talked in the back of our friend’s car
As we all went back to his place.

On our friend’s settee,
she told me that she really liked me
And I said: “Cool, the feeling’s mutual.”
We played old 45s
And said it’s like the soundtrack to our lives
And she said: “True, it’s not unusual.”
Then privately we danced
We couldn’t seem to keep our balance
A drunken haze had come upon us.
We sank down to the floor
And we sang a song that I can’t sing anymore
And then we kissed and fell unconscious.

I woke up the next day
All alone but for a headache.
I stumbled out to find the bathroom
But all I found was her
Wrapped around another lover.
No longer then is he our mutual friend.

Heart-wrenching. He’s really an amazing storyteller

I actually remembered it when I stumbled upon his cover of The Smiths’ There Is A Light That Never Goes Out while researching my previous post.

Ok, so this is getting a bit glum

Let’s end it on a cheery note

To quote the top 2 comments:
“Best eurovision song ever.”
“His Majesty Dude from the movie the Big Lebowski”

It’s a great track that could’ve been composed by Paul Williams for Phantom of The Paradise

His latest offering has some even weirder stuff on it
Definitely NSFW
Enjoy!

Written by audiogrammes

July 22, 2013 at 04:45

Always on my mind

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Whoever said Pet Shop Boys were “The Smiths you can dance to” definitely had a point: Melancholy, witty lyrics and pounding beats… Some will say you can dance to Morrissey’s darkest lyrics. I remember joyfully singing along to this one

And if a double-decker bus
Crashes into us
To die by your side
Is such a heavenly way to die
And if a ten-ton truck
Kills the both of us
To die by your side
Well, the pleasure – the privilege is mine

Anyway, so PSB were in Byblos this weekend and offered us one of the best concerts in the festival’s history. The highlight of the show which was also my own personal emotional low was Always on My Mind

http://youtu.be/6oKz5YB4028

Maybe I didn’t treat you
Quite as good as I should have
Maybe I didn’t love you
Quite as often as I could have
Little things I should have said and done
I just never took the time

You were always on my mind
You were always on my mind

Tell me, tell me that your sweet love hasn’t died
Give me, give me one more chance
To keep you satisfied, satisfied

Maybe I didn’t hold you
All those lonely, lonely times
And I guess I never told you
Im so happy that you’re mine
If I make you feel second best
Girl, Im sorry I was blind

You were always on my mind
You were always on my mind

Tell me, tell me that your sweet love hasn’t died
Give me, give me one more chance
To keep you satisfied, satisfied

Little things I should have said and done
I just never took the time
You were always on my mind
You are always on my mind
You are always on my mind

Amazing how this song’s riff makes you dance and how it just made me tear up…

Anyway, it’s a country classic first sung by Brenda Lee

Willie Nelson covered it

So did Elvis

And talking about the King, last night around midnight I stumbled upon this gem

http://youtu.be/TGKNQOXn49Q

Maybe it’s too late I sometimes I even hate myself
For loving you
Trying to be strong then night-time comes along and I start wanting you
Wanting you.
Where is all my self control I’m burning way down in my soul
And needing you

Wishing I could be the man, I try to
Hating me for wanting you to be with you
Knowing you don’t love me like you used to
But it’s midnight, Oh and I miss you

It’s getting late and I know that’s when I am weak
Funny how things have a way of looking so much brighter in the day light
I ought to go to bed and try to straighten out my head and just forget you
Oh but it’s midnight, yeah and I miss you

It’s getting late and I know that’s when I am weak
Funny how things have a way of looking so much brighter in the day light
I ought to go to bed to try to straighten out my head and just forget you
Oh but it’s midnight and I miss you

It’s midnight and I miss you

I remembered my father’s words:
نفس تسكن إليها
in the sense of
ما سكنت إليه النفس ، واطمأن إليه القلب ، والإثم ما لم تسكن إليه النفس ولم يطمئن إليه القلب وإن أفتاك المفتون

And this morning I woke up to this cover of Fade Into You, which definitely is not a love song… Emotional turmoil, teenage years, 20 years ago, Knocking on Heaven’s door knock off, haunting

I want to hold the hand inside you
I want to take a breath that’s true
I look to you and I see nothing
I look to you to see the truth
You live your life
You go in shadows
You’ll come apart and you’ll go black
Some kind of night into your darkness
Colors your eyes with what’s not there.

Fade into you
Strange you never knew
Fade into you
I think it’s strange you never knew

A stranger’s light comes on slowly
A stranger’s heart without a home
You put your hands into your head
And then it’s smiles cover your heart

Fade into you
Strange you never knew
Fade into you

I think it’s strange you never knew
X2

I think it’s strange you never knew

That’s it for today, the time and date for our next session has not been determined yet…

Written by audiogrammes

July 16, 2013 at 09:36

Wings

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040513-ARTS-Spring-Breakers-Courtesy-of-A24-Films

My dayjob forces me to research a number of music-related subjects.
For example, I learned so much about Lana Del Rey recently.
Anyway, Virgin Megastore has a huge sale and I managed to snap up two LDR-related CDs, which would have meant nothing to me had I found them a few weeks ago
Kassidy‘s first album: one of the members, Barrie- James O’Neill, is her boyfriend.
Mando Diao‘s Above and Beyond – MTV Unplugged where she’s featured on 2 songs.

Stop your crying oh little boy
’cause I know a place that you will enjoy
It’s a place that’s full of diamonds and toys
And Chet Baker’s playin’ trumpet there
So go there now
Enjoy
Go there
Don’t feel low
’cause Chet Baker’s playin’ trumpet alone
For you
Don’t you worry that girl is gone
Don’t you worry for the things that she’s done
Just relax, you still got time to go on
’cause this place is openminded to you
So go there now
Enjoy
Go there
Don’t feel low
’cause Chet Baker’s playin’ trumpet for you
Alone

It’s a pretty song but I prefer the guys’ original version which was released as a B-side

It feels much more “Chet Baker”-y

Some folks were meant to live in clover
but they are such a chosen few
and clovers being green
is something i’ve never seen
’cause i was born to be blue

When there’s a yellow moon above me
they say there’s moonbeams i shoul view
but moonbeams being gold
are something i can’t behold
’cause i was born to be blue

When i met you
the world was bright and sunny
when you left the courtain fell
i’d like to laugh
but nothing strikes me funny
now my world’s a faded pastel

I guess i’m luckier than some folks
i’ve known the thrill of loving you
but that alone is more
than i was created for
’cause i was born to be blue

Anyway, back to the future.
Among Lana Del Rey’s numerous inspirations, she cites Britney Spears.
I remember wincing when I read that.
I thought it was part of that “so bad it’s good” habit people have of name-dropping commercial music to balance out the artsy references.

But I actually discovered a track by Britney I had never heard before in Harmony Korine‘s Spring Breakers. Is this art-house?

http://youtu.be/Tca_9M3soUg?t=45s

Please, bear with the 45s of German dubbing or simply skip the intro…

Notice me
Take my hand
Why are we
Strangers when
Our love is strong
Why carry on without me?

Everytime I try to fly
I fall without my wings
I feel so small
I guess I need you baby
And everytime I see you in my dreams
I see your face, it’s haunting me
I guess I need you baby

I make believe
That you are here
It’s the only way
I see clear
What have I done
You seem to move on easy

And everytime I try to fly
I fall without my wings
I feel so small
I guess I need you baby
And everytime I see you in my dreams
I see your face, you’re haunting me
I guess I need you baby

I may have made it rain
Please forgive me
My weakness caused you pain
And this song is my sorry

Ohhhh

At night I pray
That soon your face
Will fade away

And everytime I try to fly
I fall without my wings
I feel so small
I guess I need you baby
And everytime I see you in my dreams
I see your face, you’re haunting me
I guess I need you baby

I think when you’re emotionally distraught, the corniest songs have the deepest meaning.
I love it. The wings lyrics remind me of Charles Baudslaire’s L’Albatros

There’s another Britney moment on it a bit earlier

http://youtu.be/pW5Bq6Qhi5E

My loneliness is killing me
(And I)
I must confess I still believe
When I’m not with you I lose my mind
Give me a sign
Hit me baby one more time

Deep…

Oh come on, leave Britney alone!

http://youtu.be/kHmvkRoEowc‎

Written by audiogrammes

July 8, 2013 at 09:32

Return to Sender

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Return-To-Sender

I gave a letter to the postman,
he put it his sack.
Bright in early next morning,
he brought my letter back.

She wrote upon it:
Return to sender, address unknown.
No such number, no such zone.
We had a quarrel, a lover’s spat
I write I’m sorry but my letter keeps coming back.

So then I dropped it in the mailbox
And sent it special D.
Bright in early next morning
it came right back to me.

She wrote upon it:
Return to sender, address unknown.
No such number, no such zone.

This time I’m gonna take it myself
and put it right in her hand.
And if it comes back the very next day
then I’ll understand the writing on it

Return to sender, address unknown.
No such person, no such zone.

So it’s just an excuse to put a few postman songs… should I just put 2, since he always rings twice?

http://youtu.be/IBo7Mg3FUtE

Anyway, I can’t but post this one.

(Stop)
Oh yes, wait a minute Mister Postman
(Wait)
Wait Mister Postman
Please Mister Postman, look and see
(Oh yeah)
If there’s a letter in your bag for me
(Please, Please Mister Postman)
Why’s it takin’ such a long time
(Oh yeah)
For me to hear from that boy of mine
There must be some word today
From my boyfriend so far away
Pleas Mister Postman, look and see
If there’s a letter, a letter for me
I’ve been standin’ here waitin’ Mister Postman
So patiently
For just a card, or just a letter
Sayin’ he’s returnin’ home to me
(Mister Postman)
Mister Postman, look and see
(Oh yeah)
If there’s a letter in your bag for me
(Please, Please Mister Postman)
Why’s it takin’ such a long time
(Oh yeah)
For me to hear from that boy of mine
So many days you passed me by
See the tears standin’ in my eyes
You didn’t stop to make me feel better
By leavin’ me a card or a letter
(Mister Postman)
Mister Postman, look and see
(Oh yeah)
If there’s a letter in your bag for me
(Please, Please Mister Postman)
Why’s it takin’ such a long time
(Why don’t you check it and see one more time for me, you gotta)
Wait a minute
Wait a minute
Wait a minute
Wait a minute
(Mister Postman)
Mister Postman, look and see
(C’mon deliver the letter, the sooner the better)
Mister Postman

And here’s the Beatles version

So, to round it up here’s The Letter by The Box Tops

http://youtu.be/HIWY8UyW9bw‎

Gimme a ticket for an aeroplane
I ain’t got time to take a fast train
Lonely days are gone, I’m a-goin’ home
‘Cause my baby just wrote me a letter

I don’t care how much money I gotta spend
Got to get back to my baby again
Lonely days are gone, I’m a-goin’ home
‘Cause my baby just wrote me a letter

Well, she wrote me a letter
Said she couldn’t live without me no more
Listen, mister, can’t you see I got to get back
To my baby once more?

Anyway, yeah gimme a ticket for an aeroplane
[ From: http://www.metrolyrics.com/the-letter-lyrics-the-box-tops.html ]
I ain’t got time to take a fast train
Lonely days are gone, I’m a-goin’ home
‘Cause my baby just wrote me a letter

Well, she wrote me a letter
Said she couldn’t live without me no more
Listen, mister, can’t you see I got to get back
To my baby once more?

Anyway, yeah gimme a ticket for an aeroplane
I ain’t got time to take a fast train
Lonely days are gone, I’m a-goin’ home
‘Cause my baby just wrote me a letter
Because my baby just wrote me a letter

Last but not least, a small gift. You could just as well read it. Thanks Lou!
Read it till the end though, it’s crazy!

http://youtu.be/mI-YiaWDgB4‎

Waldo Jeffers had reached his limit. It was now Mid-August which meant he had
been separated from Marsha for more than two months. Two months, and all he had
to show was three dog-eared letters and two very expensive long-distance phone
calls. True, when school had ended and she’d returned to Wisconsin, and he to
Locust, Pennsylvania, she had sworn to maintain a certain fidelity. She would
date occasionally, but merely as amusement. She would remain faithful.

But lately Waldo had begun to worry. He had trouble sleeping at night and when
he did, he had horrible dreams. He lay awake at night, tossing and turning
underneath his pleated quilt protector, tears welling in his eyes as he
pictured Marsha, her sworn vows overcome by liquor and the smooth soothing of
some neanderthal, finally submitting to the final caresses of sexual oblivion.
It was more than the human mind could bear.

Visions of Marsha’s faithlessness haunted him. Daytime fantasies of sexual
abandon permeated his thoughts. And the thing was, they wouldn’t understand how
she really was. He, Waldo, alone understood this. He had intuitively grasped
every nook and cranny of her psyche. He had made her smile. She needed him, and
he wasn’t there (Awww…).

The idea came to him on the Thursday before the Mummers’ Parade was scheduled
to appear. He’d just finished mowing and edging the Edelsons lawn for a dollar
fifty and had checked the mailbox to see if there was at least a word from
Marsha. There was nothing but a circular from the Amalgamated Aluminum Company
of America inquiring into his awing needs. At least they cared enough to write.

It was a New York company. You could go anywhere in the mails. Then it struck
him. He didn’t have enough money to go to Wisconsin in the accepted fashion,
true, but why not mail himself? It was absurdly simple. He would ship himself
parcel post, special delivery. The next day Waldo went to the supermarket to
purchase the necessary equipment. He bought masking tape, a staple gun and a
medium sized cardboard box just right for a person of his build. He judged that
with a minimum of jostling he could ride quite comfortably. A few airholes,
some water, perhaps some midnight snacks, and it would probably be as good as
going tourist.

By Friday afternoon, Waldo was set. He was thoroughly packed and the post
office had agreed to pick him up at three o’clock. He’d marked the package
“Fragile”, and as he sat curled up inside, resting on the foam rubber
cushioning he’d thoughtfully included, he tried to picture the look of awe and
happiness on Marshas face as she opened her door, saw the package, tipped the
deliverer, and then opened it to see her Waldo finally there in person. She
would kiss him, and then maybe they could see a movie. If he’d only thought of
this before. Suddenly rough hands gripped his package and he felt himself borne
up. He landed with a thud in a truck and was off.

Marsha Bronson had just finished setting her hair. It had been a very rough
weekend. She had to remember not to drink like that. Bill had been nice about
it though. After it was over he’d said he still respected her and, after all,
it was certainly the way of nature, and even though, no he didn’t love her, he
did feel an affection for her. And after all, they were grown adults. Oh, what
Bill could teach Waldo – but that seemed many years ago.

Sheila Klein, her very, very best friend, walked in through the porch screen
door and into the kitchen. “Oh gawd, it’s absolutely maudlin outside.” “Ach, I
know what you mean, I feel all icky!” Marsha tightened the belt on her cotton
robe with the silk outer edge. Sheila ran her finger over some salt grains on
the kitchen table, licked her finger and made a face. “I’m supposed to be
taking these salt pills, but,” she wrinkled her nose, “they make me feel like
throwing up.” Marsha started to pat herself under the chin, an exercise she’d
seen on television. “God, don’t even talk about that.” She got up from the
table and went to the sink where she picked up a bottle of pink and blue
vitamins. “Want one? Supposed to be better than steak,” and then attempted to
touch her knees. “I don’t think I’ll ever touch a daiquiri again.”

She gave up and sat down, this time nearer the small table that supported the
telephone. “Maybe Bill’ll call,” she said to Sheila’s glance. Sheila nibbled on
a cuticle. “After last night, I thought maybe you’d be through with him.” “I
know what you mean. My God, he was like an octopus. Hands all over the place.”
She gestured, raising her arms upwards in defense. “The thing is, after a
while, you get tired of fighting with him, you know, and after all I didn’t
really do anything Friday and Saturday so I kind of owed it to him. You know
what I mean.” She started to scratch. Sheila was giggling with her hand over
her mouth. “I’ll tell you, I felt the same way, and even after a while,” here
she bent forward in a whisper, “I wanted to!” Now she was laughing very loudly.

It was at this point that Mr. Jameson of the Clarence Darrow Post Office rang
the doorbell of the large stucco colored frame house. When Marsha Bronson
opened the door, he helped her carry the package in. He had his yellow and his
green slips of paper signed and left with a fifteen cent tip that Marsha had
gotten out of her mother’s small beige pocketbook in the den. “What do you
think it is?” Sheila asked. Marsha stood with her arms folded behind her back.
She stared at the brown cardboard carton that sat in the middle of the living
room. “I dunno.”

Inside the package, Waldo quivered with excitement as he listened to the
muffled voices. Sheila ran her fingernail over the masking tape that ran down
the center of the carton. “Why don’t you look at the return address and see who
it’s from?” Waldo felt his heart beating. He could feel the
vibrating footsteps. It would be soon.

Marsha walked around the carton and read the ink-scratched label. “Ah, god,
it’s from Waldo!” “That schmuck!” said Sheila. Waldo trembled with expectation.
“Well, you might as well open it,” said Sheila. Both of them tried to lift the
staple flap. “Ah sst,” said Marsha, groaning, “he must have nailed it shut.”
They tugged on the flap again. “My God, you need a power drill to get this
thing open!” They pulled again. “You can’t get a grip.” They both stood still,
breathing heavily.

“Why don’t you get a scissor,” said Sheila. Marsha ran into the kitchen, but
all she could find was a little sewing scissor. Then she remembered that her
father kept a collection of tools in the basement. She ran downstairs, and when
she came back up, she had a large sheet metal cutter
in her hand. “This is the best I could find.” She was very out of breath.
“Here, you do it. I-I’m gonna die.” She sank into a large fluffy couch and
exhaled noisily. Sheila tried to make a slit between the masking tape and the
end of the cardboard flap, but the blade was too big and there wasn’t enough
room. “God damn this thing!” she said feeling very exasperated. Then smiling,
“I got an idea.” “What?” said Marsha. “Just watch,” said Sheila, touching her
finger to her head.

Inside the package, Waldo was so transfixed with excitement that he could
barely breathe. His skin felt prickly from the heat, and he could feel his
heart beating in his throat. It would be soon. Sheila stood quite upright and
walked around to the other side of the package. Then she sank down to her
knees, grasped the cutter by both handles, took a deep breath, and plunged the
long blade through the middle of the package, through the masking tape, through
the cardboard, through the cushioning and (thud) right through the center of
Waldo Jeffers head, which split slightly and caused little rhythmic arcs of red
to pulsate gently in the morning sun.

Written by audiogrammes

June 30, 2013 at 14:17

Paradise Lost

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Phantom Of The Paradise

It all started when I realized that Paul Williams was on Daft Punk‘s latest album Random Access Memories.

http://youtu.be/C683ACADxkw

Paul Williams is an amazing songwriter. I discovered him listening to the soundtrack of Phantom Of The Paradise.

It was an old cassette of my mother’s and I used to listen to it a lot, and I hadn’t even watched the film yet. It’s a cult classic by Brian De Palma, released in 1974 and could be compared to Rocky Horror Picture Show if you really need a reference…. even though it’s just a mix between Faust and Phantom Of The Opera with glam/retro feel. Actually you can’t really compare it to anything… sorry

The Daft Punk connection is obvious: The Mask/helmet.
But I was listening to a podcast on NPR and the duo talked a lot about the end credits: The Hell Of It

http://youtu.be/7Pa56msnwIY

Roll on thunder, shine on lightning
The days are long and the nights are frightenin’
Nothing matters anyway,
And that’s the hell of it.
Winter comes and the winds blew colder
While some grew wiser, you just grew older
And you never listened anyway,
And that’s the hell of it.
Good for nothing, bad in bed
Nobody likes you and you’re better off dead
Goodbye, we’ve all come to say goodbye (goodbye)
Goodbye (goodbye)
Born defeated, died in vain
Super-destructive, you were hooked on pain
Though your music lingers on
All of us are glad you’re gone
If I could live my life half as worthlessly as you
I’m convinced that I’d wind up burning too.
Love yourself as you loved no other
Be no man’s fool and be no man’s brother
We’re all born to die alone, you know, that’s the hell of it.
Life’s a game where they’re bound to beat you
And time’s a trick it can turn to cheat you
And we only waste it anyway,
And that’s the hell of it.
Good for nothing, bad in bed
Nobody liked you and you’re better off dead
Goodbye, we’ve all come to say goodbye (goodbye)
Goodbye (goodbye)
Born defeated, died in vain
Super-destructive, you were hooked on pain
And though your music lingers on
All of us are glad you’re gone

Wow the lyrics… I hadn’t realised how dark they were. Even though I sang along to it mindlessly.
the obvious weird suicide one was the opening track on the Album which was so catchy and fun! But used to make me feel weird. Would I kill myself and become an overnight rock sensation for my sister’s operation?

Goodbye, Eddie, Goodbye

We’ll remember you forever Eddie
Thru’ the sacrifice you made
We can’t believe the price you paid
For love

Little Eddie Mitty born in Jersey City
Started singin’ when he was five
Never knew his father mother didn’t bother
To catch his last name fast as he came

He was off and flying
Times were really trying
Eddie and his mother alone
Soon another mister soon a baby sister
Mama kept swingin’ and Eddie kept singin’

Ah ya ya ya ya ya
Ya ya ya ya ya ya ya ya
Ya ya ya ya ya ya ya ya ya
Ya ya ya ya for love for love

And now the tragic story
Eddie’s sister, Mary Louise
Needed an operation
To get the money he would have to become
An overnight sensation
Eddie believed the American people
Had wonderful, love giving hearts
His well-publicized end
He considered would send
His memorial album to the top of the charts
…And it did

Ah ya ya ya ya ya
Ya ya ya ya ya ya ya ya
Ya ya ya ya ya ya ya ya ya
Ya ya ya ya goodbye goodbye

When a young singer dies
To our shock and surprise
In a plane crash or flashy sports car
He becomes quite well known
And the kindness he’s shown
Has made more than one post mortem star
Well you did it Eddie
And though it’s hard to applaud suicide
You gave all you could give
So your sister could live
All America’s choked up inside

We’ll remember you forever Eddie
Thru’ the sacrifice you made
We can’t believe the price you paid
For love

Anyway, I could choose any song from this album. I really recommend you watch the movie and get your hands on the songs.

I can’t resist the urge… Here are another two

Faust

I was not myself last night
Couldn’t set things right
With apologies or flowers
Out of place as a cryin’ clown
Who could only frown
And the play went on for hours
And as I lived my role
I swore I’d sell my soul
For one love who would stand by me
And give me back the gift of laughter
One love who would stand by me
And after making love we’d…

Dream a bit of style
We’d dream a bunch of friends
Dream each others smile
And dream it never ends

Old Souls

Our love is an old love baby
It’s older than all our years
I have seen in strange young eyes
Familiar tears
We’re old souls in a new life baby
They gave us a new life to live and learn
Some time to touch old friends
And still return

Our paths have crossed and parted
This love affair was started long long ago
This love survives the ages
In its story lives are pages
Fill them up
May ours turn slow

And by the way, Paul Williams is the guy behind another soundtrack from my childhood: Bugsy Malone

You Give A Little Love

We could’ve been anything
That we wanted to be
And it’s not too late to change
I’d be delighted to give it some thought
May-be you’ll agree that we really ought
Two, three, four

We could’ve been anything
That we wanted to be
Yes, that decision was ours
It’s been decided we’re weaker divided
Let friendship double up our powers

We could’ve been anything
That we wanted to be
And I’m not saying that we should
But if we try it, we’d learn to abide it
We could be the best at bein’ good guys

And yes, it’s with Jodie Foster just after Taxi Driver and Scott Baio before Charles in Charge

http://youtu.be/IccxeuDxRRs

PS: since we’re talking about random memories, I’ll leave you with a stream of Random Access Memories Memories by Daftside (aka Darkside aka Nicolas Jaar & Dave Harrington)

Mine

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Collection 1983 – Plan Bey
© Tanya Traboulsi



Not as in working a coal mine
but rather like the birds in Finding Nemo
I discovered Awkwafina early one morning after a long fight with insomnia. A friend posted NYC Bitche$ on FB and I clicked on it. Of course, it’s hispter-y etc…
But I got to My Vag


Which is a take on Mickey Avalon‘s My Dick.

http://youtu.be/Muj26g3eugU

Anyway, it seems that rapping about female genitalia is all the rage nowadays!
Of course before that, there was the Black Eyed Peas’ more mainstream My Humps


Or Kelis’ Milkshake which is more about skills than private parts…


But if we’re talking food analogies, try this one for size

http://youtu.be/1vlfP5UEtt0

“He make my pussy say ‘Ah!’ like it’s Mozart”

And there’s always LDR’s pussy that tastes like Pepsi cola…


In any case, it’s always about me, me, me… So it was a relief to discover completely ridiculous French rap duo Orties during another bout of procrastination a few days back. They’re trying too hard to be provocative… incestuous devil worshipping twin sisters etc… But they did pay tribute to Doc Gyneco with this track


His “civil” name is Bruno and Kincy is just being his Vanessa. Despite the sexy topic, it’s more about fantasies than bravado.

Written by audiogrammes

April 13, 2013 at 12:28

Posted in Call and response

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Serge-Gainsbourg-No-Comment---Exte-538514


So what’s the difference between a tribute and plagiarism?
Classical music has been ripped off by so many that we sometimes ignore (when the melody is slightly less-known) the original piece!
Serge Gainsbourg found his inspiration in Classical music so often that DECCA Records even published an album compiling the inspiration behind some of his greatest tracks.
To my knowledge, he “borrowed” Chopin’s melodies at least 3 times, transforming them into beautiful tracks he didn’t necessarily sing:
The Prelude No. 4 in E minor, Op. 28 became “Jane B“, famously sung by his partner at the time Jane Birkin.
Catherine Deneuve’s “Dépression au dessus du jardin” was lifted straight from Etudes, Op. 10 No. 9 in F minor.
But the cover I first heard that actually spiked my interest in this classically-trained musician’s melodic inspiration was Lemon incest (1984) which he sang with his daughter Charlotte.



Forget the controversial subject matter, the lyrics (it took me some time to understand that Niédwa Sorou was reverse slang for the painter Le Douanier Rousseau) or the video (love the denim though!). What really struck me the first time I heard it was how familiar it felt. I was sure I’d heard this track before!



I later learned it was Frédéric Chopin’s Etude n°3 op.10. And when I went around the web trying to learn more about it, I realized a lot of users called it Tristesse (Sadness)… in reference to a Tino Rossi song released in 1939 which had also borrowed the melody!!


http://youtu.be/e4P1FpRwgBU


“L’ombre s’enfuit, tout n’est que songe
Et tu n’es plus, malgré tous nos désirs,
Qu’un souvenir
Si l’amour n’est que mensonge
Au parfum triste qui ronge
S’il est vrai qu’à moi ta lèvre ment
Sache pourtant que toujours quand même
Cher amour je t’aime
Eperdument”



More recently, another cover was used extensively in Paul Thomas Anderson’s latest Scientology movie, The Master. This is when the track changed completely in my ears. No longer a sleazy french track, the naïve and honest lyrics of this version tore down the wall of cynicism that I had built around myself.



No Other Love can warm my heart
Now that I’ve known the comfort of your arms
No other love.
Oh the sweet contentment that I find with you Every Time
Every Time.
No other lips could want you more For I was born to glory in your kiss.
Forever yours
I was blessed with love to love you Til the stars burn out above you
Til the moon is but a silver shell
No other love, Let no other love
Know the wonder of your spell.”



Nearly 20 years later, in 1969, The Lettermen gave these lyrics a “close-harmony” twist: mp3



But why did I decide to dedicate so much time to this composition, especially since I’m not really a classic music buff nor have i ever really played an instrument?
Is it because the Lyrics were dedicated to me recently?
Is it because I Like Chopin?



Not really… It’s just that, a few hours ago, I stumbled across yet another cover of this melody (a surf-rock version nothing less!!!) and I decided it was time to take all this useless trivia off my chest and turn the page.



The thing is you can never totally turn the page. People will continue integrating this Etude into popular culture. Muse even transformed it into a Prelude for their Olympic Anthem Survival on their latest album The 2nd Law



So, you’ll ask me: was it worth it? Am I always that anal about things? What now?
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