Posts Tagged ‘The Beatles’
Road
Two roads diverged in a yellow wood,
And sorry I could not travel both
And be one traveler, long I stood
And looked down one as far as I could
To where it bent in the undergrowth;
Then took the other, as just as fair,
And having perhaps the better claim
Because it was grassy and wanted wear,
Though as for that the passing there
Had worn them really about the same,
And both that morning equally lay
In leaves no step had trodden black.
Oh, I kept the first for another day!
Yet knowing how way leads on to way
I doubted if I should ever come back.
I shall be telling this with a sigh
Somewhere ages and ages hence:
Two roads diverged in a wood, and I,
I took the one less traveled by,
And that has made all the difference.
It might be a classic and slightly expected in its subject-matter but I’m glad somebody actually recited this Robert Frost poem to me a few days ago…
Of course it made me think of Elton John’s Goodbye Yellow Brick Road
I like this version… Of course it makes for a great child-themed transition to the Wizard of Oz
And then it could go anywhere…
too cheesy
Maybe… In any case we’re On the road again
Return to Sender
I gave a letter to the postman,
he put it his sack.
Bright in early next morning,
he brought my letter back.
She wrote upon it:
Return to sender, address unknown.
No such number, no such zone.
We had a quarrel, a lover’s spat
I write I’m sorry but my letter keeps coming back.
So then I dropped it in the mailbox
And sent it special D.
Bright in early next morning
it came right back to me.
She wrote upon it:
Return to sender, address unknown.
No such number, no such zone.
This time I’m gonna take it myself
and put it right in her hand.
And if it comes back the very next day
then I’ll understand the writing on it
Return to sender, address unknown.
No such person, no such zone.
So it’s just an excuse to put a few postman songs… should I just put 2, since he always rings twice?
Anyway, I can’t but post this one.
(Stop)
Oh yes, wait a minute Mister Postman
(Wait)
Wait Mister Postman
Please Mister Postman, look and see
(Oh yeah)
If there’s a letter in your bag for me
(Please, Please Mister Postman)
Why’s it takin’ such a long time
(Oh yeah)
For me to hear from that boy of mine
There must be some word today
From my boyfriend so far away
Pleas Mister Postman, look and see
If there’s a letter, a letter for me
I’ve been standin’ here waitin’ Mister Postman
So patiently
For just a card, or just a letter
Sayin’ he’s returnin’ home to me
(Mister Postman)
Mister Postman, look and see
(Oh yeah)
If there’s a letter in your bag for me
(Please, Please Mister Postman)
Why’s it takin’ such a long time
(Oh yeah)
For me to hear from that boy of mine
So many days you passed me by
See the tears standin’ in my eyes
You didn’t stop to make me feel better
By leavin’ me a card or a letter
(Mister Postman)
Mister Postman, look and see
(Oh yeah)
If there’s a letter in your bag for me
(Please, Please Mister Postman)
Why’s it takin’ such a long time
(Why don’t you check it and see one more time for me, you gotta)
Wait a minute
Wait a minute
Wait a minute
Wait a minute
(Mister Postman)
Mister Postman, look and see
(C’mon deliver the letter, the sooner the better)
Mister Postman
And here’s the Beatles version
So, to round it up here’s The Letter by The Box Tops
Gimme a ticket for an aeroplane
I ain’t got time to take a fast train
Lonely days are gone, I’m a-goin’ home
‘Cause my baby just wrote me a letter
I don’t care how much money I gotta spend
Got to get back to my baby again
Lonely days are gone, I’m a-goin’ home
‘Cause my baby just wrote me a letter
Well, she wrote me a letter
Said she couldn’t live without me no more
Listen, mister, can’t you see I got to get back
To my baby once more?
Anyway, yeah gimme a ticket for an aeroplane
[ From: http://www.metrolyrics.com/the-letter-lyrics-the-box-tops.html ]
I ain’t got time to take a fast train
Lonely days are gone, I’m a-goin’ home
‘Cause my baby just wrote me a letter
Well, she wrote me a letter
Said she couldn’t live without me no more
Listen, mister, can’t you see I got to get back
To my baby once more?
Anyway, yeah gimme a ticket for an aeroplane
I ain’t got time to take a fast train
Lonely days are gone, I’m a-goin’ home
‘Cause my baby just wrote me a letter
Because my baby just wrote me a letter
Last but not least, a small gift. You could just as well read it. Thanks Lou!
Read it till the end though, it’s crazy!
Waldo Jeffers had reached his limit. It was now Mid-August which meant he had
been separated from Marsha for more than two months. Two months, and all he had
to show was three dog-eared letters and two very expensive long-distance phone
calls. True, when school had ended and she’d returned to Wisconsin, and he to
Locust, Pennsylvania, she had sworn to maintain a certain fidelity. She would
date occasionally, but merely as amusement. She would remain faithful.
But lately Waldo had begun to worry. He had trouble sleeping at night and when
he did, he had horrible dreams. He lay awake at night, tossing and turning
underneath his pleated quilt protector, tears welling in his eyes as he
pictured Marsha, her sworn vows overcome by liquor and the smooth soothing of
some neanderthal, finally submitting to the final caresses of sexual oblivion.
It was more than the human mind could bear.
Visions of Marsha’s faithlessness haunted him. Daytime fantasies of sexual
abandon permeated his thoughts. And the thing was, they wouldn’t understand how
she really was. He, Waldo, alone understood this. He had intuitively grasped
every nook and cranny of her psyche. He had made her smile. She needed him, and
he wasn’t there (Awww…).
The idea came to him on the Thursday before the Mummers’ Parade was scheduled
to appear. He’d just finished mowing and edging the Edelsons lawn for a dollar
fifty and had checked the mailbox to see if there was at least a word from
Marsha. There was nothing but a circular from the Amalgamated Aluminum Company
of America inquiring into his awing needs. At least they cared enough to write.
It was a New York company. You could go anywhere in the mails. Then it struck
him. He didn’t have enough money to go to Wisconsin in the accepted fashion,
true, but why not mail himself? It was absurdly simple. He would ship himself
parcel post, special delivery. The next day Waldo went to the supermarket to
purchase the necessary equipment. He bought masking tape, a staple gun and a
medium sized cardboard box just right for a person of his build. He judged that
with a minimum of jostling he could ride quite comfortably. A few airholes,
some water, perhaps some midnight snacks, and it would probably be as good as
going tourist.
By Friday afternoon, Waldo was set. He was thoroughly packed and the post
office had agreed to pick him up at three o’clock. He’d marked the package
“Fragile”, and as he sat curled up inside, resting on the foam rubber
cushioning he’d thoughtfully included, he tried to picture the look of awe and
happiness on Marshas face as she opened her door, saw the package, tipped the
deliverer, and then opened it to see her Waldo finally there in person. She
would kiss him, and then maybe they could see a movie. If he’d only thought of
this before. Suddenly rough hands gripped his package and he felt himself borne
up. He landed with a thud in a truck and was off.
Marsha Bronson had just finished setting her hair. It had been a very rough
weekend. She had to remember not to drink like that. Bill had been nice about
it though. After it was over he’d said he still respected her and, after all,
it was certainly the way of nature, and even though, no he didn’t love her, he
did feel an affection for her. And after all, they were grown adults. Oh, what
Bill could teach Waldo – but that seemed many years ago.
Sheila Klein, her very, very best friend, walked in through the porch screen
door and into the kitchen. “Oh gawd, it’s absolutely maudlin outside.” “Ach, I
know what you mean, I feel all icky!” Marsha tightened the belt on her cotton
robe with the silk outer edge. Sheila ran her finger over some salt grains on
the kitchen table, licked her finger and made a face. “I’m supposed to be
taking these salt pills, but,” she wrinkled her nose, “they make me feel like
throwing up.” Marsha started to pat herself under the chin, an exercise she’d
seen on television. “God, don’t even talk about that.” She got up from the
table and went to the sink where she picked up a bottle of pink and blue
vitamins. “Want one? Supposed to be better than steak,” and then attempted to
touch her knees. “I don’t think I’ll ever touch a daiquiri again.”
She gave up and sat down, this time nearer the small table that supported the
telephone. “Maybe Bill’ll call,” she said to Sheila’s glance. Sheila nibbled on
a cuticle. “After last night, I thought maybe you’d be through with him.” “I
know what you mean. My God, he was like an octopus. Hands all over the place.”
She gestured, raising her arms upwards in defense. “The thing is, after a
while, you get tired of fighting with him, you know, and after all I didn’t
really do anything Friday and Saturday so I kind of owed it to him. You know
what I mean.” She started to scratch. Sheila was giggling with her hand over
her mouth. “I’ll tell you, I felt the same way, and even after a while,” here
she bent forward in a whisper, “I wanted to!” Now she was laughing very loudly.
It was at this point that Mr. Jameson of the Clarence Darrow Post Office rang
the doorbell of the large stucco colored frame house. When Marsha Bronson
opened the door, he helped her carry the package in. He had his yellow and his
green slips of paper signed and left with a fifteen cent tip that Marsha had
gotten out of her mother’s small beige pocketbook in the den. “What do you
think it is?” Sheila asked. Marsha stood with her arms folded behind her back.
She stared at the brown cardboard carton that sat in the middle of the living
room. “I dunno.”
Inside the package, Waldo quivered with excitement as he listened to the
muffled voices. Sheila ran her fingernail over the masking tape that ran down
the center of the carton. “Why don’t you look at the return address and see who
it’s from?” Waldo felt his heart beating. He could feel the
vibrating footsteps. It would be soon.
Marsha walked around the carton and read the ink-scratched label. “Ah, god,
it’s from Waldo!” “That schmuck!” said Sheila. Waldo trembled with expectation.
“Well, you might as well open it,” said Sheila. Both of them tried to lift the
staple flap. “Ah sst,” said Marsha, groaning, “he must have nailed it shut.”
They tugged on the flap again. “My God, you need a power drill to get this
thing open!” They pulled again. “You can’t get a grip.” They both stood still,
breathing heavily.
“Why don’t you get a scissor,” said Sheila. Marsha ran into the kitchen, but
all she could find was a little sewing scissor. Then she remembered that her
father kept a collection of tools in the basement. She ran downstairs, and when
she came back up, she had a large sheet metal cutter
in her hand. “This is the best I could find.” She was very out of breath.
“Here, you do it. I-I’m gonna die.” She sank into a large fluffy couch and
exhaled noisily. Sheila tried to make a slit between the masking tape and the
end of the cardboard flap, but the blade was too big and there wasn’t enough
room. “God damn this thing!” she said feeling very exasperated. Then smiling,
“I got an idea.” “What?” said Marsha. “Just watch,” said Sheila, touching her
finger to her head.
Inside the package, Waldo was so transfixed with excitement that he could
barely breathe. His skin felt prickly from the heat, and he could feel his
heart beating in his throat. It would be soon. Sheila stood quite upright and
walked around to the other side of the package. Then she sank down to her
knees, grasped the cutter by both handles, took a deep breath, and plunged the
long blade through the middle of the package, through the masking tape, through
the cardboard, through the cushioning and (thud) right through the center of
Waldo Jeffers head, which split slightly and caused little rhythmic arcs of red
to pulsate gently in the morning sun.
Buckets

“Dullness is as much produced within doors as without, by rain.” – Jane Austen {Sense and Sensibility}
This is my last rain-related post of the season; I don’t care if I get April showers soon or Waters of March…
Maybe I should’ve started with a Bob Dylan quote?
He’s got a lot of rain-related material:
– A Hard Rain’s a-Gonna Fall
– “Everybody is making love. Or else expecting rain.” – Desolation Row
– Rainy Day Women #12 & 35 that’s got nothing to do with the subject
– The live album Hard Rain that was recorded in very rainy conditions
– On Blood On The Tracks, one of his best albums, he’s got two: Shelter from the Storm and of course Buckets of rain.
Weird thing is you can’t find the original on Youtube or on the internet. You’ll just have to settle for the Beth Orton version
Thanks Bob. Merci Buckets!
Buckets of rain
Buckets of tears
Got all them buckets coming out of my ears
Buckets of moonbeams in my hand
You got all the love honey baby
I can stand.
I been meek
And hard like and oak
I seen pretty people disappear like smoke
Friends will arrive friends will disappear
If you want me honey baby
I’ll be there.
I like your smile
And your fingertips
I like the way that you move your hips
I like the cool way you look at me
Everything about you is bringing me
Misery.
Little red wagon
Little red bike
I ain’t no monkey but I know what I like
I like the way you love me strong and slow
I’m taking you with me honey baby
When I go.
Life is sad
Life is a bust
All ya can do is do what you must
You do what you must do and ya do it well
I’ll do it for you honey baby
Can’t you tell ?
“Some people feel the rain. Others just get wet.” – Bob Dylan
And as usual, even when all of us are longing from sunshine some people ask for rain…
Rainmaker, rainmaker
The sky is gray just by the touch of your hand
Rainmaker, rainmaker
Make me some rain, make all my crops grow tall
Rainmaker, rainmaker
The sky is gray, the ground is so hard
It’s been cracked by the sun
Rainmaker, you know my work’s never done
And then you have The Beatles take on the subject… People are never happy: slipping in the shade when the sun comes out and hiding their heads when the rain comes
If the rain comes they run and hide their heads.
They might as well be dead.
If the rain comes, if the rain comes.
When the sun shines they slip into the shade
(When the sun shines down.)
And sip their lemonade.
(When the sun shines down.)
When the sun shines, when the sun shines.
Rain, I don’t mind.
Shine, the world looks fine.
I can show you that when it starts to rain,
(When the Rain comes down.)
Everything’s the same.
(When the Rain comes down.)
I can show you, I can show you.
Rain, I don’t mind.
Shine, the world looks fine.
Can you hear me, that when it rains and shines,
(When it Rains and shines.)
It’s just a state of mind?
(When it rains and shines.)
Can you hear me, can you hear me?
If the rain comes they run and hide their heads.
sdaeh rieht edih dna nur yeht semoc niar eht fI.
(Rain)
niaR.
(Rain)
enihsnuS.
Just remembered another Rain-related lyric by the Beatles from I Am The Walrus
Sitting in an English garden waiting for the sun.
If the sun don’t come, you get a tan
From standing in the English rain.
And we will end this post with a long-awaited BJ Thomas favorite. This one’s for Ali. Thanks for bringing this video to my attention.
Proxima Estacion?
Raindrops keep falling on my head
And just like the guy whose feet are too big for his bed
Nothin’ seems to fit
Those raindrops are falling on my head, they keep falling
So I just did me some talkin’ to the sun
And I said I didn’t like the way he’ got things done
Sleepin’ on the job
Those raindrops are falling on my head, they keep falling
But there’s one thing I know
The blues he sends to meet me won’t defeat me
It won’t be long till happiness steps up to greet me
Raindrops keep falling on my head
But that doesn’t mean my eyes will soon be turnin’ red
Crying’s not for me
Cause I’m never gonna stop the rain by complainin’
Because I’m free
Nothing’s worrying me
Hail, Hail

“If you tried to give rock and roll another name, you might call it ‘Chuck Berry’.” — John Lennon
This post is a weird double whammy. Actually, read on… It might even be a quadruple-whammy.
I was going through my digital music library and decided I’d clean it up a bit and make some space. I don’t know how I got to a really lo-res (56kbps!!!) version of Chuck Berry’s Memphis Tennessee.
And I remembered that John Lennon had nicked Come Together‘s opening line (Here come ol’ flat-top, he was movin’ up with me) from a Chuck Berry lyric. A few google search attempts later and I had discovered it was You Can’t Catch Me. I’d always thought it was Come on…
He’d later record a whole album of Rock’n’Roll standards in order to settle this royalties issue.
It’s funny, I usually post so many lyrics, and this is a lyric-initiated blogpost but it’s actually leading to a mostly instrumental theme. Bear with me…
I then realized John Lennon was also “inspired” for Sun King, another track on Abbey Road.
Forget about the lyrics: they’re mostly gibberish and Google translate didn’t recognize the Span-talian at the end.
Focus on the progression: it sounds a lot like a Fleetwood Mac instrumental called Albatross
And the worst part is Peter Green got his inspiration from Chuck Berry‘s Deep Feeling
Once again, we have the Chuck Berry connection…
But wait, there’s more!
It seems a lot of lesser-known musicians are still not credited by the big boys. Click here to read some more about about Jake Holmes and Led Zeppelin’s Dazed and Confused.
And all this “inspiration” took me straight back to that lyric from 1992: “Hail hail rock ‘n’ roll, comes from r ‘n’ b and soul…”
Ahaha ahaha ….
Pockets of hate, rockets of love
It’s never too late, the change in the color of
The color of her, the color of him
It really doesn’t matter what skin you’re in
Big yellow taxi cab passed me by
Stopped on the next corner to pick up a white guy
The color of you, the color of me
You can’t judge a man by looking at the marque
Hail hail rock ‘n’ roll, comes from r ‘n’ b and soul
Don’t leave me standing in the cold
I used to fake ‘I never grow old’
Hail hail rock ‘n’ roll, don’t leave me standing on the bleak
Don’t leave me stranded on the street
I see the light, I feel the heat
Blame it on you, blame it on me
Now let’s the race that won’t let’s get on history
Pain in my heart won’t let me be
Take it from me but don’t you take away my liberty
Father of coal, mother of pearl
Never too black to blush to pick up a white girl
The color of you, the color of me
You can’t judge a man by looking at the marque
Hail hail rock ‘n’ roll, comes from r ‘n’ b and soul
Don’t leave me standing in the cold
I used to fake ‘I never grow old’
Hail hail rock ‘n’ roll, don’t leave me standing on the bleak
Don’t leave me stranded on the street
I see the light, I feel the heat
Little Richard, Chuck Berry, Bo Diddley, Fats Domino
Here come Elvis, Gene Vincent, Buddy Holly and Jerry Lee
Hail hail rock ‘n’ roll, comes from r ‘n’ b and soul ….
Hail hail rock ‘n’ roll, comes from r ‘n’ b and soul ….
Little Richard, Chuck Berry, Bo Diddley, Fats Domino
Here come Elvis, Gene Vincent, Buddy Holly and Jerry Lee
Little Richard, Chuck Berry, Bo Diddley, Fats Domino
Here come Elvis, Gene Vincent, Buddy Holly and Jerry Lee
I love everything about this song: the video, the lyrics, the story behind the album “Don’t Call Me Buckwheat” as well as Garland Jeffreys‘ crazy career.
But wait! there’s more… we go full circle once again: Hail hail rock ‘n’ roll is a documentary film that chronicles two concerts celebrating Chuck Berry‘s 60th birthday!!!
Post-Scriptum: As I was finishing this post I did a small research and realized John Lennon and Chuck Berry had actually played together on the Mike Douglas show in 1972!!! Thank you WFMU. I’ll leave you with a great version of the track that started this whole post!!!
Where?

Well we know where we’re goin’
But we don’t know where we’ve been
And we know what we’re knowin’
But we can’t say what we’ve seen
And we’re not little children
And we know what we want
And the future is certain
Give us time to work it out
We’re on a ride to nowhere
Come on inside
Takin’ that ride to nowhere
We’ll take that ride
I’m feelin’ okay this mornin’
And you know,
We’re on the road to paradise
Here we go, here we go
Maybe you wonder where you are
I don’t care
Here is where time is on our side
Take you there…take you there
We’re on a road to nowhere
We’re on a road to nowhere
We’re on a road to nowhere
There’s a city in my mind
Come along and take that ride
and it’s all right, baby, it’s all right
And it’s very far away
But it’s growing day by day
And it’s all right, baby, it’s all right
Would you like to come along
And to help me sing this song
And it’s all right, baby, it’s all right
They can tell you what to do
But they’ll make a fool of you
And it’s all right, baby, it’s all right
We’re on a road to nowhere
Said to the man at the railroad station
“I want a ticket, just for one”
He said, “well, if you insist
Where you wanna go, a miss? Oh”
Destination anywhere
East or west, I don’t care
You see my baby don’t want me no more
This old world, ain’t got no back door
Mixing it up slightly here. Have you seen The Commitments? Haven’t seen it in ages. I’m scared it might’ve not aged too well. So the Youtube link is the film version, but the download link above is the Marvelettes’.
So we’ve been from nowhere to anywhere…
Sultry in the summer heat.
I know with you we can’t be beat.
Take me somewhere.
Take me somewhere.
Take me somewhere.
Why don’t you take me somewhere?
Can you hear me calling
Out your name
You know that I’m falling
And I don’t know what to say
Come along baby
We better make a start
You better make it soon
Before you break my heart
Oh I…
I want to be with you everywhere
Do you have the impression you’ve heard a recent cover of this song?
Or maybe it was just Cut Copy’s Take Me Over?
To lead a better life I need my love to be here…
Here, making each day of the year
Changing my life with a wave of her hand
Nobody can deny that there’s something there
There, running my hands through her hair
Both of us thinking how good it can be
Someone is speaking but she doesn’t know he’s there
I want her everywhere and if she’s beside me
I know I need never care
But to love her is to need her everywhere
Knowing that love is to share
Each one believing that love never dies
Watching her eyes and hoping I’m always there
I want her everywhere and if she’s beside me
I know I need never care
But to love her is to need her everywhere
Knowing that love is to share
Each one believing that love never dies
Watching her eyes and hoping I’m always there
I will be there and everywhere
Here, there and everywhere
And Bob will sign us off…
I don’t care
How many letters they sent
Morning came and morning went
Pick up your money
And pack up your tent
You ain’t goin’ nowhere
Secret

This blog is just some “reeds to talk to”: King Midas has donkey ears.
This guy is clearly not using it so I might as well steal his concept…
Do you remember that dialogue from In the Mood For love?
Chow Mo-wan: In the old days, if someone had a secret they didn’t want to share… you know what they did?
Ah Ping: Have no idea.
Chow Mo-wan: They went up a mountain, found a tree, carved a hole in it, and whispered the secret into the hole. Then they covered it with mud. And leave the secret there forever.
Ah Ping: What a pain! I’d just go to get laid.
Chow Mo-wan: Not everyone’s like you.
Listen,
Do you want to know a secret?,
Do you promise not to tell?, whoa oh, oh.
Closer,
Let me whisper in your ear,
Say the words you long to hear
It’s no secret that a friend is someone who lets you help
It’s no secret that a liar won’t believe anyone else
They say a secret is something you tell one other person
So I’m telling you, child
It’s no secret that a conscience can sometimes be a pest
It’s no secret ambition bites the nails of success
Every artist is a cannibal, every poet is a thief
All kill their inspiration and sing about their grief
Can you keep a secret?
Honestly, no?
If I know a good story,
It bubbles out of me,
Like weeds from the ground.
Can you keep a secret?
Okay, I will try.
But sooner or later,
The volcano’s crater
Will erupt again.
Erupt, erupt, erupt, erupt, again.
Erupt, erupt, erupt, erupt, again.
I can’t keep it inside.
Can you keep a secret?
What choice do I have?
The door that you’ve opened,
The seal that you’ve broken,
You cannot shut now.
Can you keep a secret?
Well, why do you ask?
It’s clear from the gallery,
You’re dying to tell me
What’s been going on.
You can’t keep it inside.
You can’t keep it inside.
You can’t keep it inside.
For the sake of this post, here’s a guilty secret: I just love Madonna’s late nineties/early noughties fast guitar tracks like this one and definitely this one:
Happiness lies in your own hand
It took me much too long to understand
How it could be
Until you shared your secret with me
I don’t know why, but I’ve always deliberately sung it “A penis lies in her own hands…”
Is that what you call a happy ending?
Once again, unforeseen full-circle has been reached. Good night!
Want

“People often desire something but don’t really want it. Don’t be afraid to want what you desire.” – Slavoj Žižek speaking to Occupy Wall Street
I think I’ve been living under a rock. Completely out of touch with the outside world.
This movement has actually grown? I hate it when I’m that skeptical at first.
It reminds of my reaction to the initial call for demonstrations in Syria a few months ago. I stupidly scoffed…
Anyway, I think I’ll scramble back under my rock and play ostrich. Here are my thoughts for today.
No Lyrics; it would be too much. Especially this first version…
Elvis Costello – I Want You (Mediafire Link)
Bob Dylan – I Want You (Mediafire Link)
The Beatles – I Want You (Mediafire Link)



